![]() ![]() ![]() ![]() ![]() A Christmas Jig / Mouth of the Tobique Reel Yo-Yo Ma & Natalie MacMaster. The Wexford Carol Alison Krauss, Yo-Yo Ma & Natalie MacMaster. A Christmas Jig - Mouth of the Tobique Reel Natalie MacMaster, Yo-Yo Ma, J.D. Alison Krauss and Natalie MacMaster Get Me Through December Lyrics. Get Me Through December Alison Krauss & Natalie MacMaster. A Christmas Jig / Mouth of the Tobique Reel Natalie MacMaster, Yo-Yo Ma, J.D. (Prince William residents, call 690-4110. Get Me Through December Lyrics by Alison Krauss and Natalie MacMaster. It is from 'A Hundred Miles or More - A Collection' album by. To hear a free Sound Bite from Natalie MacMaster, call Post-Haste at 202/334-9000 and press 8123. This song, a prayer really, is for those who are suffering a season of loss. Natalie MacMaster (born June 13, 1972) is a Canadian fiddler from Troy, Inverness County. And Alison Krauss' satiny soprano perfectly matches MacMaster's fiddle on "Get Me Through December." In the end, it doesn't matter whether a traditional artist crosses over to pop, but how. MacMaster's fiddle duel with Mark O'Connor gains momentum from the Nashville rhythm section behind them, and Irish accordionist Sharon Shannon is a steadying presence on two songs. On the other hand, several experiments with new flavors and arrangements are quite successful. Sampson's heavy-handedness turns "Flamenco Fling" and "Space Ceilidh" into awkward genre exercises. About Press Copyright Contact us Creators Advertise Developers Terms Privacy Policy & Safety How YouTube works Test new features Press Copyright Contact us Creators. MacMaster's lyrics are new-age cliches that she whispers in a portentous recitation over Gordie Sampson's chilly synthesizer music. The album opens with the title track, a distressing example of all that can go wrong in a pop crossover attempt. Her latest, "In My Hands," pushes these experiments even further with decidedly uneven results. Her early albums kept close to tradition, but her fourth album introduced electric keyboards and pop percussion. The result is a hybrid album intended to appeal to a broader audience than the purist Celtic crowd, or perhaps to introduce them to some new sounds without putting them off.Natalie MacMaster was a teenager when she emerged as one of the finest Celtic fiddlers in her native Cape Breton. But the two feel the need to spice things up even more, and so there are several unusual tracks, starting with the lead-off title song, in which MacMaster recites a lyric in tribute to her instrument, and including "Space Ceilidh," which features some appropriately spacy "programming" "Olympic Reel," a rock workout with new age elements written by Mark O'Connor, who duels with MacMaster on his own fiddle and "Get Me Through December," a ballad with Alison Krauss on vocals. The basic approach taken by Celtic fiddler Natalie MacMaster and her producer, arranger, and guitarist Gordie Sampson is to take a group of traditional tunes, for example, the march and three reels mixed together and called "The Farewell," and come up with a folk-rock arrangement that emphasizes MacMaster's lyrical playing as well as a sturdy backbeat. ![]()
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